by Emese Krunák-Hajagos
Establishing a gallery with excellent exhibitions that also sell well is a time-consuming procedure that requires patience, perseverance, hard work and dedication to art. I think we bring all those qualities. We love what we do.
by Emese Krunák-Hajagos
There are times when one gets a little more closely acquainted with reality’s cudgel and, after that, I’m sure the world’s never quite the same place. That’s the part where there’s no return ticket.
Scotiabank CONTACT Photography Festival
May 2015 / Toronto
With so much choice, with well over 1500 photographers exhibiting throughout the Greater Toronto Area, it isn’t easy picking exhibits to see
by Emese Krunák-Hajagos
When you think or talk about photography in Toronto, Stephen Bulger‘s name comes up right away. He is a dedicated collector and curator, a gallery owner with a vision and a passionate dealer.
by Emese Krunák-Hajagos
“In my paintings the beauty is in looking and not necessarily what you are looking at….What matters to me is how these things are given shape through the fundamental principles of light.”
by Emese Krunák-Hajagos
we don’t follow the market, the market follows us. There is no doubt, this is much more challenging for a gallery but I like the challenge — so do the artists we represent
by Emese Krunák-Hajagos
In his solo exhibition Driscoll’s large landscapes with their burning colors and mesmerizing smoke curls fill us with wonder and joy.
by Emese Krunák-Hajagos
Photo by Brinae Bain and Elena Iourtaeva
TIAF, in its 15th year, became really popular, an art event not to miss.
Saturday, October 4, 2014
from sunset to sunrise
It is more centralized this year, so it would be easier to see more shows and performances. It would be an interesting and busy night for sure.
De Luca Fine Art / Gallery
by Elena Iourtaeva and Emese K-H
La Rocque presents a collection of sculptural works informed by the subject of alternative health therapies.
by Emese Krunák-Hajagos
I still think that most of my paintings today are figurative, even when the figure is completely absent. There are also compositions where I use the figure but broken down so there’s just a hand
by Emese Krunák-Hajagos
My approach was to separate those sacred statuettes from their religious context in order to immortalize them in a Western framework.
