IAIN BAXTER&: Works 1958–2011

IAIN BAXTER& (Canadian, born 1936) LANDSCAPE WITH SAILBOATS (Digital Code Conversion Series), 2008,acrylic paint on plywood, 120.7 x 242.8 cm. Collection of the artist. Photo: Art Gallery of

March 3 – August 2, 2012
ART GALLERY OF ONTARIO
317 Dundas Street West
Toronto, ON M5T 1G4
T: 416.979.6648
www.ago.net
Hours: Tue & Thurs–Sun 10–5:30, Wed 10–8:30

For 50 years, Canadian artist IAIN BAXTER&:  has been radically redefining the role of the artist, integrating photography, installation, sculpture, painting, drawing and performative aspects into his work. An upcoming exhibition at the Art Gallery of Ontario (AGO), IAIN BAXTER&: Works 1958–2011, invites visitors to become collaborators by engaging with the artist and his work. Special events that highlight the interactive nature of the artist’s brand will complement and activate the exhibition, which is on view from March 3 to Aug. 12, 2012.

Co-curated by David Moos, former curator of Modern and Contemporary Art at the AGO and Michael Darling, James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago, IAIN BAXTER&: Works 1958–2011 brings the evolution of BAXTER&’s career to life for visitors. The exhibition travels directly to Toronto from Chicago, where it was recently on view at the MCA and was named a critic’s pick by Artforum International.

Liquid Detergent, Vancouver, British Columbia,1965, printed 2005, gelatin silver print, edition 1 of 10 76.8 x 102.2 cm Collection of the artist. Photo: Art Gallery of Ontario ©2012 IAIN BAXTER&

“BAXTER&’s thinking resonates today because his willingness to experiment remains undiminished,” Moos said. “It is here, between originality and the familiar, that one finds BAXTER&, raising our awareness that art is an experiment—an embrace one must experience.”

A believer in collaboration, the recurring symbol in BAXTER&’s work is the ampersand, and he often refers to himself as “the &man.” The artist, whose surname is pronounced “Baxter-and” has worked under various monikers throughout his career, most famously N.E. Thing Co., a corporate-style organization he served as co-president of with his then-wife Ingrid Baxter. In 2005  BAXTER& legally added an “&” to his name, reflecting his collaborative approach to art and his fundamental belief that art requires a strong connection with the viewer. “Life,” says BAXTER&, “seems to be about ands. After we leave this life and this planet, only an & remains.”

IT Extended Noland, 1966,velvet ribbon on fabric, dimensions variable; fabric 105.5 x 105.5 x 7.0 cm. Gift of David P. Silcox and Linda Intaschi, 1988. Art Gallery of Ontario, Toronto Photo: Art Gallery of Ontario

Recognizing that communication goes both ways, the exhibition offers visitors an opportunity to interact and engage with BAXTER& and his work. Eighteen custom-designed QR codes populate the exhibition, letting smartphone users watch, share and comment on videos, audio and behind-the-scenes content in the Wi-Fi enabled Gallery. At the heart of the exhibition lies an ampersand-shaped interaction station where, through Twitter, visitors can share their answers to thought-provoking questions from the artist, including topics of environmentalism which figure heavily in his work.

Featuring some 100 photographic, sculptural and vacuum-formed works, including Inflated Blue Sky and Zero Emissions, the exhibition takes visitors on an often witty tour through some of the most important themes of contemporary art: the connection between art, business and everyday life; environmental issues; and the rise of photography as a vibrant and relevant art form.
Events and highlights for IAIN BAXTER&: Works 1958–2011 include:
AGO MEMBERS’ PREVIEW
Wednesday, Feb. 29, 10 a.m. – 8:30 p.m.
AGO members enjoy free admission to IAIN BAXTER&: Works 1958–2011 and are invited to attend a special members-only preview of the exhibition. Visit ago.net for more information.
CATALOGUE AND BOOK LAUNCH
Wednesday, Feb. 29, 6 p.m.
shopAGO
Featuring more than 200 reproductions, the exhibition catalogue IAIN BAXTER&: Works 1958-2011 includes essays by David Moos, Michael Darling, Dennis W. Durham, Christophe Domino, and Lucy R. Lippard, as well as original interviews with IAIN BAXTER& and Ingrid Baxter by Alexander Alberro. Edited by David Moos and co-published by Goose Lane Editions, the soft-cover, 224 page volume is available for $45 at shopAGO. To celebrate this publication, BAXTER& will be on hand to sign copies of the catalogue at the public book launch.
MEET THE ARTIST: IAIN BAXTER&
How I Became the &Man
Wednesday, April 4, 7 – 8:30 p.m.
Jackman Hall at the AGO
Members $17| Public $20 |Students $12
Follow IAIN BAXTER& on his journey from zoologist to conceptual artist. The &man will share his insights on the ecology of life and art &…. Visit ago.net for more information.
EARTH DAY WEBINAR WITH IAIN BAXTER&
Tuesday, March 27, 7 – 8:30 p.m.
FREE
In this live, online event educators can join in a conversation with BAXTER& on the topic of Earth Day. The artist will discuss his work and its relationship to the environment, the notion of working together in a participatory environment, and his art making process. He will also share his thoughts on Earth Day and how educators and students can get involved, and engage educators with four participatory questions from the exhibition.
Organized by the AGO, IAIN BAXTER&: Works 1958–2011 is generously supported by Leslie Gales & Keith Ray, Rosamond Ivey, the Steven & Michael Latner families and Philip B. Lind & Ellen Roland.

The AGO acknowledges the generous support of its Signature Partners:
American Express, Signature Partner of the Conservation Program; and Aeroplan, Signature Partner of the Photography Collection Program.

Contemporary programming at the AGO is generously supported by the Canada Council for the Arts

  1 comment for “IAIN BAXTER&: Works 1958–2011

  1. “What happens if I do this?” is a question at the heart of every child’s creative play, it’s how children explore the world. Such a natural and instinctive process is surely worthwhile if it works for so many kids. When an adult applies that question to a sophisticated art world, you get artist Iain Baxter&.

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