The exhibition’s theme is a heavy one; one of loss and grief. The work addresses the issues head on, with solemnity, but around the edges there’s a quiet sense of humour.
Rye’s work encourages us to be active in our looking, to become conscious that perception is not passive, to realize that we actually construct what we see.
As varied as the practices of these artists are, one thing they have in common is that their work tells the story of its making. We don’t just see the finished pieces, but also perceive the presence of the artist.
this article discusses our relationship to the urban environment during the pandemic through Gordon Wenzel, Shaleen Ladha and Stathis Vlahos virtual exhibitions
The Time Being provides a compelling example of how Instagram can be used for art. The account is the art. The pictures, videos and text and the relationships between them is a whole, integrated, online artwork.
The work of Stefan Berg illustrates that artists do not need dramatic subjects to make compelling art. His images focus our attention on what was already there, all around us, but we had not noticed.
The Stephen Bulger Gallery has collaborated with four out-of-town galleries to mount a pop-up show, providing each exhibitor with an art fair type booth within the larger space.
I think the End of Eloquence provides a glimpse back into the dream world, unfettered by the limitations of waking logic, an escape from workaday pedantic thinking.
We’re missing a lot by not seeing this show in person because the work involves the material, and craft of painting. It’s the kind of work you want to get up close to.