The inherent polychotomy of Ito Laila’s works – with regard to the array of mediums used, concepts explored, and feelings conveyed – is truly unique and interesting.
Crookshank’s ability to take unnatural materials and create an enlivened object that communicates a distinct moment of tension to its audience, is simply inspiring.
Chihuly is an artist who capitalizes on the “wow factor”—everything is larger than life, brighter than life, and leaves the viewer questioning how on earth a material as fragile as glass could be molded into so many different forms
Each artist offer a conceptual, autobiographical narrative that confronts the realities of love and looks toward their modification by means of endurance, patience, and sacrifice.
Like an old friend is an interesting combination of video, photography and mixed media installation that makes us question our own presence and whether or not it is fleeting or eternal.
Tisiga’s painted scenes are all narrative, storytelling at the height of action, containing traditional threads and allegories as well as personal symbols and subtle Western content.
From Girling’s outward examination of fragile physical appearances, to Cade’s inward probing of the uncanny relationship between the mind and streams, these exhibitions manifest vivid considerations about the world that surrounds us.
Koop’s paintings seem to represent an uninhabitable or rare space where the beauty of New York’s architectural reality is valued above its economic symbolism – or perhaps an ode to ephemeral moments in the mega city’s skyline.
I was amazed by her brushstrokes even before I was mesmerized by her Girls and the characters that came to life through them. One thing is for sure: this girl can paint.
Up-front, quirkily so, as Evans’ compositional structures often are, it is nevertheless when he pits structure against destabilizing contraries that his more recent painting delivers its aesthetic pizzazz