by David Saric
Selections 2012-2016 provides an amusing and mischievous history lesson that mostly evades factual truths.
Carole Freeman’s Selections 2012-2016 at Walnut Contemporary
Category: FEATURES
TenderPixels.CorruptedFiles at Birch Contemporary
by Alice Pelot
Pixels in this exhibition bring to life the familiar habits of prosumers who simultaneously consume and circulate.
Tom Forrestall’s Recent Works at Mira Godard Gallery
by Nika Teper
Each artwork creates a sense of juxtaposition, between clarity and ambiguity, near and far, interior and exterior, order and irregularity, geometric and organic; a dynamism that alludes to the perception of a place or a state of mind.
Rodney Graham’s Jack of All Trades at Prefix
by David Saric
Rodney Graham’s Jack of All Trades sees the distinguished Canadian artist waxing satirical on the notion of identity and performance.
Hua Jin: Don’t Look You Will See at Lonsdale Gallery
by Megan Kee
Viewed through the lens of transience, Hua Jin’s show invites you to slow down and meditate on a succession of ephemeral ‘moments in time’.
Oliver Tiura: Eternal Bronze Meets 3D Printing
by Serri Shao
The exhibition is worth a trek to the Canadian Sculpture Centre on Church Street to view Toronto’s first large 3D-printed sculptures
Interview with Lee Lamothe
by Nika Teper
His collection and composition of found and photographed images, once extracted, are then peeled, layered, repeated and rephotographed. The cinematics of space and person recall a broader narrative.
Alain Norman Amar abstract paintings at Gallery 1313
by Nika Teper
Referential abstract elements situate the viewer in a natural setting demonstrating an artistic engagement with nature and human emotion.
Ann MacIntosh Duff at Nicholas Metivier Gallery
by Alice Pelot
In the space between the rural North and the urban city, between dusk and twilight, and somewhere between indoors and outdoors, there exists ‘landscapes of the mind’ by Ann MacIntosh Duff.
Interview with Amy Shackleton
by Emese Krunák-Hajagos
Now, after years of experimenting with gravity and rotating my canvas, I am able to manipulate where and how each drip will fall. There is little room for error with my technique.
Kristine Moran at Daniel Faria Gallery
by Alice Pelot
In The Boss, The Queen, The Secretary and The Henchman, the layers of paint have more solid planes, are less in flux and the figures demonstrate relationships not only between imagined characters but also between colours.
Mary Catherine Newcomb and Maria Gabankova at loop
by Sunny Kim
Two artists exhibit their solo shows in the simple and neat Loop Gallery. They are both art professors as well as veteran artists.