by Simon Termine
The goal of my artistic quest is to represent the human body distorted and transformed by the torments and illnesses of the soul and the psyche.
Francesco Albano: After Grünewald at Robert Kananaj
Category: FEATURES
Adam Lee: Of A Great and Mighty Shadow at Angell Gallery
by Emily Lawrence
Interested in the idea of shadows and how they cast over the histories and lives of people, Lee’s paintings create links between the past, the present, and the future.
Zachari Logan & Morley Shayuk at Paul Petro
by Simon Termine
Zachari Logan and Morley Shayuk explore the complexities of nature, examining its potential connections in itself, between other organisms, and within a societal context, with juxtaposing approaches in both theme and style.
Alexander Irving & Paul Collins / General Hardware
by Sunny Kim
Both artists are concerned with their respective obsessions, one of words and one of a specific horizontal form. Delving into these obsessions is an indulgent experience both for the eyes and the mind.
Margaux Smith: What The Moon Saw at LE Gallery
by Camila Jourdain
In the show What The Moon Saw by integrating the freedom of abstract gestures with a complex figurative vocabulary, Smith achieved a language of her own.
Dean West: The Painted Photograph at Alison Milne
by Emese Krunák-Hajagos
These hyper-realist photographs seem so real that they become unreal. In this show West outlines a new American aesthetic through a modern mythology of disengagement.
Joan Kaufman: Surface Tension at Lonsdale Gallery
by Simon Termine
Joan Kaufman’s work examines the relationship between man and nature, particularly the sentimentality and intimacy that could, and to an extent does, exist between us.
Nadia Belerique: Bed Island at Daniel Faria Gallery
by Vanessa Zeoli
With Bed Island, Nadia Belerique has created an atmosphere conducive to the process of self-awareness, wherein moments of vulnerability and autonomy may be recognized.
Body Talk at Project Gallery
by Alice Pelot
Project Gallery successfully allows the character of each artist to speak for itself without any generalizations about the experience of being female, while also maintaining a succinct curatorial vision.
Paul Butler: Semiotics Aside & The Collage Party at Division
by Alice Pelot
The multidisciplinary practice of Butler pushing the boundaries and definitions of art world models. The travelling studio/party forms a much needed community space and entertaining activity.
Steve Driscoll: Just a Sliver of the Room at Angell Gallery
by David Saric
Throughout Just a Sliver of the Room, the artist challenges the widespread impression that a contemporary gallery acts as a passive repository for current art, by constructing an active domain for progressive thought.
Ned Pratt: A Silence to Revel in / Nicholas Metivier Gallery
by Meghan O’Callaghan
Our presence here in this landscape is temporary in comparison to the power and magnitude of our natural world. Our reverence is rightfully demanded and deserved in Pratt’s exhibition.