by Emese Krunák-Hajagos
There are objects, fruits and plants beautifully photographed in Surplus, but what makes this show striking is the presentation of it. It is more than just a show, it is an assemblage that truly becomes an art form of its own.
by Tetyana Herych
Zvonar uses the symbols as a vocabulary for something metaphysical and new. The challenge is to take the images, and arrange them in a way to let the subconscious mind speak.
by Simon Termine
Through this composite technique, they were able to skillfully create a scene that no one could even conceive, subsequently becoming one of the most iconic images of that period.
by Elena Iourtaeva
Makeshift by Maegan Hill-Carroll, Brea Souders and Ève K. Tremblay is a delightful display of masterful compositional and coloristic balance
by Emily Kovacs
The photos themselves give purpose to what no longer has a purpose, exposing the simple beauty of a mundane object as it makes its way through the recycling system.
by Simon Termine
There were scenes of smiling and playing children, women enjoying their gardens, and men in suits in professional poses – an enduring moment of dignity and joy, even though for many it would sadly be one of their last.
by Mia Guttmann
The walls of the Angell Gallery are currently housing some unusual and thought-provoking pieces that provide an engaging experience.
by David Saric
This thorough survey will captivate admirers of Ruwedel and landscape-themed photography, while also providing curious onlookers a chance to explore new and exciting destinations through the photogpraher’s interesting and curious lens.
by Emese Krunák-Hajagos
Establishing a gallery with excellent exhibitions that also sell well is a time-consuming procedure that requires patience, perseverance, hard work and dedication to art. I think we bring all those qualities. We love what we do.
by Sunny Kim
So Be It is a refreshing approach to ceramics. The imperfections that appear through the procedure are celebrated here to the extreme and made permanent as well.
by Daisy Li Meng
Instead of escaping the political turmoil of the world, Kantor brings it inside the gallery. He soldiers on with holding a shovel in his right hand and the Red Book of Chairman Mao in his left.
by Vanessa Zeoli
Leistner’s current exhibit Looking for Marshall McLuhan in Afghanistan, is a convergence of old and new technologies, effectively working to preserve the visual history of mankind.
