Category: FEATURES

Interview with Attila Richard Lukacs

by Emese Krunák-Hajagos

I still think that most of my paintings today are figurative, even when the figure is completely absent. There are also compositions where I use the figure but broken down so there’s just a hand

Michael Awad and The Vastness of Totality

by Mia Guttmann

When seen from afar, the panoramas appear pattern like, and reduce the subjects to mere form and color. When the viewer gets closer attempting to “take it all in” – the photos become overwhelming.

Gordon Parks: Portraits at BAND

by Melina Rymberg

The exhibition celebrates Parks’ achievements with an incredible range in subject; from those who experienced severe marginalization and cruelty to those who were celebrated 20th century icons.

Peter G. Ray: Confidential

De Luca Fine Art / Gallery

by Aurore Mathys

Ray presents a set of appealing and fascinating canvases that show his technical prowess, but that yet asks for a more systematic conceptualization of his work

Étienne Gélinas: Systemic Complexity

Thompson Landry Gallery

by Carter Brown

Gélinas plays with the idea of engaging both sides of the viewer’s brain, the right, which deals more with visual imagery, and the left, which handles logic and mathematical reckoning.

The Art of Marcelo Suaznabar

Articsok Gallery

by Ashley Johnson

One can salute the intention of the artist to maintain a moral integrity and to present art with a social message. That he also creates mysterious and intriguing work is an added blessing.

Eldon Garnet: Shadows and Shades

Christopher Cutts Gallery

by Steve Rockwell

If Garnet wears his pessimism on his sleeve, it serves to expose the bur under the saddle of all who are at ease in Zion at their peril.