The most important thing is to be committed to what you show. Galleries that are interesting are the ones that have a personality. I think the personality of the gallery should reflect the owner—the one person making all the decisions, like selecting the artists and artwork.
Large rotting Wookies, a frosted ice cave and a gorgeous candelabra greet the visitors in Mocca’s warehouse-like interior. These three, rather shocking, monumental installations are very impressive but somewhat challenging.
The exhibited objects and artwork are engaging by themselves, but what makes this exhibition outstanding is the way it has been installed, the way it juxtaposes its many elements.
This exhibition is not for the frail of heart. It is a brave show with a strong message about environmental issues as well as the challenges that every generation faces when replacing the previous one.
He seems to be looking inward, captured by his memories. His sad face tells the story of a life well lived, a life that was worth living regardless the hardships.
I wanted to transform the way I viewed the past from the perspective of the present and express my bi-cultural heritage as a synergistic strength as opposed to a struggle between opposites.
Szilasi said that he knew even as a child about the process of memory and where memory is held. All of his photography involves both the mind and the heart and each image has a history.