I wanted to transform the way I viewed the past from the perspective of the present and express my bi-cultural heritage as a synergistic strength as opposed to a struggle between opposites.
Szilasi said that he knew even as a child about the process of memory and where memory is held. All of his photography involves both the mind and the heart and each image has a history.
The images are disturbing, lingering in some limbo between life and death, persuading the viewer to think about the fate of these animals and our role in it.
“I filter my process through photography and our relationship to images of ourselves in mass media. One of the by-products of this long process has been a progression towards “realism” but the motivation itself is not realism.
Invitation to whom it may concern: If you are in any way witnessing remoteness in any level, personal, or social, or simply art loving, or an artist, we have Robert Kananaj Gallery hosting and sharing the outsider in all of us.