Iris Häussler: Sophie La Rosière Project – Chapter III at Daniel Faria


by Andriy Bilenkyy

one can't shake the impression that the author has triumphed over her creation, and that it wasn’t an easy victory

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The Distance Between – Myron Jones at Lonsdale Gallery


by Carolyn Peralta

In the minimalist spirit, the landscapes by Jones have an air of simplicity despite their intricacy.

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de Andrade, Echakhch, Hupfield & Kiwanga at The Power Plant


by Nika Teper

The immersive environments created in each exhibition uniquely engage the visitor, encouraging a critical re-evaluation of global realities and universal sentiments.

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Isaac Julien: Other Destinies at the ROM


by Yilong Liu

Through aestheticizing the bodies, their movements and the background, it becomes clear to the audience that this is not a real footage but a reiteration of history.

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Alternative Histories / Division Gallery


by Carolyn Peralta

a captivating show that contemplates what is fact and what is fiction, and the space in between and beyond

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Stanzie Tooth: The Distance of the Moon at General Hardware


by David Saric

In The Distance of the Moon, Tooth makes a strident efforts to prolong the images beyond the impermanence of memories and transform them into personal histories.

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Vessna Perunovich: Shifting Shelter at Angell Gallery


by Alexis Moline

Delving deep into the emotional and psychological consequences of exile, Perunovich’s exhibition bears witness to the lost, retelling essential stories in order to give them the recognition they deserve.

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Sculptors celebrate Canada 150


Canadian Sculpture Centre

Two of Canada’s foremost art societies unite to hold a joint exhibition in recognition and celebration of this historic moment in time.

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Yael Brotman & Kim Stanford at loop


by Victoria De Chellis

The exhibitions of Brotman and Stanford, however different their themes and artistic approach, work intricately well together.

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We are safe and all is well in our world / Scrap Metal Gallery


by Alexis Moline

A time and a place is presented, revealing how the AIDS epidemic produced a vast body of art and humanity and new ways to communicate that are still not entirely understood.

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Leopold Plotek: No Work, Nor Device, Nor Knowledge, Nor Wisdom


by Jordan Fee

Plotek’s paintings are not immediately comprehensible but the pleasures offered by his refined visual language instill a desire in the viewer to return to them again and again.

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Kent Monkman – Shame and Prejudice: A Story of Resilience


by Elizaveta Mironova

Monkman’s technical attention to details juxtaposed with broader, contemplative themes produces a one of a kind exhibition.

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