Shogo Okada: Reality Ain’t Always the Truth at Wil Kucey Gallery

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by Alexis Moline

The intersection of colourful, pixelated Japanese pop aesthetics and wholesome American Dream icons allow Okada’s work to be light-hearted and fun

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Yael Brotman & Kim Stanford at loop

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by Victoria De Chellis

The exhibitions of Brotman and Stanford, however different their themes and artistic approach, work intricately well together.

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We are safe and all is well in our world / Scrap Metal Gallery

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by Alexis Moline

A time and a place is presented, revealing how the AIDS epidemic produced a vast body of art and humanity and new ways to communicate that are still not entirely understood.

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Leopold Plotek: No Work, Nor Device, Nor Knowledge, Nor Wisdom

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by Jordan Fee

Plotek’s paintings are not immediately comprehensible but the pleasures offered by his refined visual language instill a desire in the viewer to return to them again and again.

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Kent Monkman – Shame and Prejudice: A Story of Resilience

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by Elizaveta Mironova

Monkman’s technical attention to details juxtaposed with broader, contemplative themes produces a one of a kind exhibition.

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Nasty at Daniel Faria Gallery

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by Laura Hutchingame

Nasty at Daniel Faria Gallery showcases a captivating assemblage of works in different media that presents the viewer with defacement, inaccessibility and interference patterns.

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Scott Treleaven & Georgia Dickie at Cooper Cole Gallery

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by Victoria De Chellis

Scott Treleaven, Not Palaces and Georgia Dickie, How Many Antennae are exciting shows, not to be missed.

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The Artist Project 2017

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by Jordan Fee, Laura Hutchingame & Phil Anderson

The fair is offering the viewers a chance to enter directly into a dialogue with the artists who were displaying their works

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Tim Noonan: Abstract Urban Nature at Yumart

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by Jordan Fee

In these paintings we see Noonan going above and beyond, achieving a level of abstract clarity that is uniquely his.

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Felix Kalmenson как всегда / As Always at Pari Nadimi

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by Andriy Bilenkyy

Kalmenson's show is a politically engaged conceptual art, thoughtful and witty, which, nevertheless, leaves the viewer with an impression of the artist's longing for an artistic, not merely ideological, adversary worthy of being deconstructed.

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Margaux Tartarotti & Heidi Leverty: Marée Noire at Walnut Contemporary

Installation view of Marée Noire by Margaux Tartarotti  and Heidi Leverty at Walnut Contemporary, 2017 (2)


by David Saric

In a dual exhibition, the artists allow their distinct artistic endeavors to reflect, comment upon, and compliment each others’ oeuvres, showcasing a thematically-succinct sister act.

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Tony Romano, New Work: 2014-2016 at Clint Roenisch Gallery

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by Daniel Joyce

Though the exhibition certainly leans towards a nostalgic war era's formal sculptural bias; the artist has successfully put together a show that does not feel out of place in 2017.

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