by Haafiz Karim
In creating the work for the show, my intention was to use those techniques and designs I had learned in Sri Lanka and re-contextualize and re-vitalize them.
Interview with Frances Ferdinands
Category: Haafiz Karim
Camilla Geary-Martin: A Collaborations With My Past
Canadian Sculpture Centre
by Haafiz Karim
Drawing from her past experiences, they take on an ethereal quality while delivering a riveting story grounded in the human form
Friday Night Live at the ROM
November 22, 2013, 7 – 11 p.m.
Royal Ontario Museum
It has everything you would be looking for in a fun night out. Interactive exhibitions coupled with food and lots of drink made for quite the interesting experience
Frances Ferdinands / Convergence
by Haafiz Karim
What interests me most about Frances Ferdinands and her work is the thought process that her paintings reflect; not only her heritage but more importantly her journey
Revealing the Early Renaissance
by Haafiz Karim
It perhaps did not live up to its full potential by limiting its focus on themes of religiosity while several other areas such as literature, philosophy, science and politics were somewhat brushed over
Interview with Jesus Mora
by Haafiz Karim
I met Jesus Mora in his small studio tucked away behind a music instrument store. The small space was brimming with artwork that immediately caught my eye, canvas upon canvas of earthly tones and brilliant textural detail.
Robert Groh
by Haafiz Karim
Wonderfully created and delivered they evoked strong emotions through their colour association and – what I found interesting – their names.
Tony Scherman: “Black October”
by Haafiz Karim
Georgia Scherman Projects Gallery
October 20 – November 26, 2011
It is not the technical skills of encaustic, that captures the viewers interest but rather the exploration of a narrative based on the October Crisis
Susan Hiller: The Last Silent Movie
by Haafiz Karim
September 22 – November 26, 2011
PREFIX INSTITUTE OF CONTEMPORARY ART
While the audio recordings provide a tremendous auditory experience, the etchings are a visual equivalent.
General Idea: Mondo Cane Kama Sutra
by Haafiz Karim
July 30, 2011–January 1, 2012
ART GALLERY OF ONTARIO
What makes this piece so remarkable is the neon colour of the poodles presented on the canvases and the scale of the panels creating a gigantic eye-capturing façade.