by Xiaotong Cao and Emese Krunák-Hajagos
What makes Barbey a great photographer is not only his technical perfection, sense of beauty but his humanitarian attitude, his love toward his subjects and the stories he tells
by Emese Krunák-Hajagos
Nicole Collins has two exhibitions on at the same time, One Shot at General Hardware and Furthest Boundless at Koffler Gallery.
by Emese Krunák-Hajagos
Solitude embraces you in this winter wonderland. All the artworks use a limited palette of white, grey, the occasional burnt brown. Less is indeed more.
October 27 – 30, 2017
by Steve Rockwell, Emese Krunák-Hajagos & Carolyn Peralta
walking the fair is an almost overwhelming experience with so many artwork and interesting programming
by Emese Krunák-Hajagos
the art works in the exhibition are raising questions as to whether there truly is some sort of collective, cultural consciousness or aesthetic tradition
by Emese Krunák-Hajagos
We may be strangers, and we may be alone, but it is a glory that we thrive and survive.
Scotiabank CONTACT Photography Festival
May, 2017 / Toronto and GTA
With so much choices, with well over 1500 Canadian and international artists and photographers exhibiting at more than 200 exhibitions, it isn’t easy picking exhibits to see.
by Emese Krunák-Hajagos
Howlett’s painting are layered with intellectual meaning. His symbols are sophisticated. His compositions are unique and a product of a long meditation as well as compositional experimentation.
by Emese Krunák-Hajagos
Dorland’s vision of a forest, or other parts of nature, is very different from any realistic or idealistic view – he brought drama into nature. Even in his landscapes he wants “to tell his own story.”
by Emese Krunák-Hajagos
Our plans for the next five years are to adapt ourselves to the gallery’s growth. Art as life, one project at a time, and to be open as we always have been to the outsider within.
by Emese Krunák-Hajagos
Now, after years of experimenting with gravity and rotating my canvas, I am able to manipulate where and how each drip will fall. There is little room for error with my technique.
by Emese Krunák-Hajagos
These hyper-realist photographs seem so real that they become unreal. In this show West outlines a new American aesthetic through a modern mythology of disengagement.
