by Emese Krunák-Hajagos
Arcuri’s and Van Der Hout’s work resonate with our state of mind—depression, repression and confusion—wonderfully well. Their photographs engage our minds and shake us to the core – and will stay with us for a long time.
by Emese Krunák-Hajagos
The Earth Day exhibition is a tradition for the Canadian Sculpture Centre, as they present a group show organized around this theme each year. It always addresses spring
by Emese Krunák-Hajagos
In this stunning installation Fatma Bucak’s and Krista Belle Stewart’s thoughtful work integrates interlocking layers of the historical, the political and the emotional.
by Emese Krunák-Hajagos
Sculpture is a 3D artform where spacing plays an important part. But even if we can’t walk around them, the exhibited pieces still deserve our attention, so please check them out online.
Interview with Frances Patella by Emese Krunak-Hajagos
as Frances Patella said in the interview: Propeller keeps going because there is a real need in the community
by Emese Krunák-Hajagos
These portrait exhibitions reflect the current times in many ways: the anxiety, the fear, the sadness, the unspoken
Emese Krunák-Hajagos
Sze’s “sculptures” are very complicated structures, that vibrate with projected images and light that fills them with life, making them a living thing that breathes and moves.
by Emese Krunák-Hajagos
Why don’t we try to observe the art alone with no witnesses, at 3 am, in the middle of a sleeping city. Make it a fully immersive and memorable experience!
by Ana Algarvio Alves & Emese Krunák-Hajagos
Donovan presents us with a selection of intimate pieces depicting a young woman’s journey into adulthood, through her memories.
May – July, 2019
Various locations in Toronto
With so much choices of Canadian and international artists exhibiting, it isn’t easy picking exhibits to see.
by Emese Krunák-Hajagos
Monzon captures the moment of eternity and the eternity in the moment at the same time. His photographs show a void, a void that can not be filled.
by Emese Krunák-Hajagos
The stories emerge in relationship to the clothes the artist casts in wax as they disappear and reappear again and again – a fragment of a human life – briefly touching the surface, “emerging and submerging.”
