by Simon Termine
San Salvatore is both a memorialization of the very doctors and nurses who saved so many lives from ruin, and a cautionary tale of what will happen should we once again become complacent and take those efforts for granted.
by Hugh Alcock
they have staged an impressive pair of inaugural exhibitions, titled Fair Adaptation and Adapt and Pivot, each packed with great art
by Kexin Wu, Uzair Mehmood and Emese Krunák-Hajagos
a group show by eleven Ontario and Quebec artists, dedicated to nature and environmental issues. They invite the visitor to examine our planet’s natural vulnerabilities and celebrate the vitality of life.
by Olivia Musselwhite
Each slogan is on a brightly colored surface contrasting with bold font, projecting pessimistic words that unapologetically call out the world for how it is.
by Hugh Alcock
Yelland’s paintings are alluring in their compositions and colours. As a long-time resident of Toronto I recognise his works collectively as a love-letter to the city. He tenderly captures the essence of the place.
by Emese Krunák-Hajagos
These portrait exhibitions reflect the current times in many ways: the anxiety, the fear, the sadness, the unspoken
A few Toronto galleries opened their door to the public
most of them open by appointment only or for limited hours, please check carefully. This might be not a full list.
by Olivia Musselwhite
Basualdo creates a fictional world so the viewer can contemplate their lives and bodies. He creates a space for a humbling experience, forcing one to acknowledge their own limitations.
Emese Krunák-Hajagos
Sze’s “sculptures” are very complicated structures, that vibrate with projected images and light that fills them with life, making them a living thing that breathes and moves.
by Maya Burns
For the first time, alongside his signature portraits, the show contains multi-paneled paintings of objects
by Hugh Alcock
It is the tension between the physical and the psychological that makes her work gripping. Hers is a powerful unique voice, wonderfully showcased by Christopher Cutts’ judicious selection.
by Phil Anderson
The impact is felt by many art galleries as people can’t visit and sales for art would be difficult as the whole economy is now in taters.
