by Rashana Youtzy
Crossman has created a space to explore queerness, inciting a desire for patrons to research the references and interrogate the ways in which the community has been represented.
Adrienne Crossman at the Patel Projects
Category: FEATURES
Remembering Katharine Mulherin
1964 – 2019
Katharine will always be remembered for her impact on the Toronto art scene. Like others I will cherish my memories of Katharine and always remember her gracious smile.
José Manuel Ciria at Christopher Cutts Gallery
by Steve Rockwell
Ciria inhabits his work, and that the life and breath of his canvases are closely woven into the artist’s own persona.
Gavin Lynch at Angell Gallery
by Nathan Flint
The exhibition is a fascinating take on an age-old subject matter with a fresh, present-day perspective.
Joe Fleming at General Hardware Contemporary
by Mikael Sandblom
Fleming ensures that the artist has the last word, not the technology
Z’otz at YYZ
by Hugh Alcock
It is elusively compelling work. Their drawings and sculptures have an authenticity that is rarely found
4-Person exhibition at Canadian Sculpture Centre
by Victoria Rainoff
Through their sculptures each artist examines the power of nuanced gestures – capturing the human spirit in clay, bronze and stone.
Alex McLeod: Ghost Stories
by Nathan Flint
Visiting this exhibition was like to travelling into an imaginary world filled with bright colours and eerie themes, where the virtual and the real felt as seamless as a looping animated.
Configurations by Mike Hoolboom & Jorge Lozano
by Simon Termine
Just as with the issues they explore, there is an inherent complexity to their films that requires patience and contemplation, yet it effectively presents a forum for the discussions that must be had.
Naomi Harris: Hollywood Furever
by Nathan Flint
Beyond the complicated philosophical underpinnings, the works are funny, campy and beautiful.
Interview with Pengkuei “Ben” Huang
by Maria Mendoza Camba
witnessing the struggle of the survivors to recover definitely transformed me as an individual, as a photojournalist and as a storyteller.
Ayana V. Jackson at Campbell House Museum
by Keren Sedmina
“My work has always been quite political. It is perhaps aesthetic, but it is ultimately a form of activism. I want to liberate the black body.”