by Patricia Tabascio
At Home With Monsters challenges the exhibition-goer’s expectation of viewing art that is horrifying, unsettling and that is highly personal to Del Toro and his work, while also questioning the very idea of monsters.
by Meghan O’Callaghan
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
by Simon Termine
The exhibition is an elaborate, multi-faceted delve into the entrenched divisions and cultural constraints affecting the lives of Chinese Canadians.
by Emily Austin
Felt, like stone, has a utilitarian aesthetic based on the way it was produced. The material, sensorial and psychological elements present throughout the exhibition are beautifully and intelligently consolidated.
by Victoria De Chellis
Both artists’ works are representative of the natural world, and the ever-changing environment and ecological factors influencing today’s climate
by Victoria Rainoff
Cesar Forero created and underwater world for us, guided us into it with his performance and then left us there to play
by Meghan O’Callaghan
This location gives the flexibility to show large and intimate exhibitions, as well as better integrate moving image works. More is most certainly more at the new Stephen Bulger Gallery.
by David Saric
Birch Contemporary’s latest exhibition sees Steven Beckly, Martin Bennett and Sarah Sands Phillips conceptually re-imagining the potential of their media.
by Emese Krunák-Hajagos
the art works in the exhibition are raising questions as to whether there truly is some sort of collective, cultural consciousness or aesthetic tradition
July 14 – 16, 2017
Nathan Phillips Square
There is a lot to see in the exhibition, all the artists are very friendly and willing to talk about their work. It is also an excellent opportunity to buy an artwork
by Simon Termine
The combination of Driscoll’s vivacious colors and sheer energy with O’Hara’s astute attention to detail and captivating narratives offers a strong visual experience with plenty to see and explore.
by Kate Benedict
Curreri forms a deeply erotic aesthetic system, making explicit questions of material control and instability; of sexed bodies and the unbinding potential of queer sexualities to produce new ways of looking and seeing.
