by Olivia Mariko Hsuen-Ferris
These photos capture our national truths, and for that reason we will look at them years from now, with tears in our eyes and goosebumps all over, and we will remember all we lost and gained.
by Rashana Youtzy
DeFreitas’ thoughtful display grants us an opportunity to be privy to the world as the artist understands it: the glimpses into their streams of consciousness, the meditative act of prayer, the idea of opening yourself up to a greater entity.
by Olivia Mariko Hsuen-Ferris
the realm of the T.A.U.B.I.S. gives us the opportunity to both depart from our world and locate the often-elusive love within it
by Olivia Musselwhite
The spiritual and the secular mingle on the canvases, sitting in between the seen and the unseen, with stories that are compelling and emotional.
by Mikael Sandblom
The work of Stefan Berg illustrates that artists do not need dramatic subjects to make compelling art. His images focus our attention on what was already there, all around us, but we had not noticed.
by Hugh Alcock
The curator, Simone Rojas-Pick, likens the experience of emerging from the pandemic’s lockdown to that of having recently woken up from a long dream, after which everything is perceived afresh.
by Cayden Johnson
Members of Gallery 44 present Spectra, a 3-part multi-technique photography exhibition contemplating the ingredients and meaning of place as a site for connection.
by Mikael Sandblom
The Stephen Bulger Gallery has collaborated with four out-of-town galleries to mount a pop-up show, providing each exhibitor with an art fair type booth within the larger space.
by Olivia Musselwhite
Gallery 1313’s fair is an eclectic group of works, with vibrant colors and eye-catching materials which overwhelm the viewer with sights.
by Olivia Musselwhite
Alone in the House, Still Life with Clarice Lispector is rich with details to contemplate as the viewer finds another point of interest with each new look
by Hugh Alcock
These paintings are sophisticated in their composition, execution and the thinking behind them.
by Maria Mendoza Camba
the exhibition arrives strong with its selection of works rousing its viewers to examine their own participation in the present revolution
