FEATURES

The Bikeriders by Danny Lyon

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by Shellie Zhang

By documenting their journeys and re- presenting their way of life to the public, Lyon brings forth evidence that perhaps these individuals do not deserve the negative image that they have been affiliated with.

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Collected Shadows

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by Amy Luo

What surfaces in this show are myriad stories of diverse peoples and the worlds they live in and create around themselves

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Sebastião Salgado’s Genesis

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by Alice Tallman

Working back towards Genesis is the most progressive thing our society can do for the planet. Photo records such as Salgado’s are stark reminders of how much we have to lose if we don’t protect what is truly important.

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Andrew Wright: Penumbra

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by Alice Tallman

Wright's work asks its viewers to rummage through their visual vocabulary to make logical sense of these new ways of looking.

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Scotiabank Photography Award: Arnaud Maggs

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by Shellie Zhang

This exhibition offers insight towards Maggs’ adoption of photography as an artistic tool to document people and grants a glimpse of the photographer himself.

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What The Hand Sees

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by Anne Michaels

There is so much tenderness in Claire Weissman Wilks’ line of flesh, and so much courage in this tenderness.

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Interview with Bonnie Rubenstein, Artistic Director of Scotiabank CONTACT Photography Festival

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by Amy Luo

It’s difficult to define the most exciting aspect of a large event that includes so many different artists and exhibitions. The festival is the sum of its parts and we work year-round to create a dialogue between presentations throughout the community

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Square Derivatives

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by Tara Akitt

in her paintings she struggles to depict the balance between exact mathematical form and the imprefection that arises when these forms are articulated by the human hand

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Agathe de Bailliencourt: Eintritt

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by Alice Tallman

The paintings appeal to the senses as the viewer navigates through uncharted realms of abstracted colour and form, creating a union of flux and harmony in an ever-changing world

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Are the Keepers watching?!

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by Emese Krunák-Hajagos

The images are disturbing, lingering in some limbo between life and death, persuading the viewer to think about the fate of these animals and our role in it.

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