by Maya Burns
We continue the creative process in our experience of the blue by generating our own meaning and our own attachments.
Oscar Figueroa’s BLUE at Robert Kananaj Gallery
Interview with Gordon Shadrach
by Phil Anderson
The exhibition has a lot to say and proves Shadrach to be an accomplished artist to watch and listen to.
Carol Wainio at Paul Petro
by Hugh Alcock
There is little doubt that Wainio is a rarely gifted artist with an uncanny ability to conjure out of paint a spellbinding object, rich in possibilities.
Jeffrey Chong Wang at Gallery House
by Talia Williams
The oeuvre of Jeffrey Chong Wang is whimsical and striking. He paints his protagonists as fair-skinned and idealized in style, looking out into the distance with lost and captivating eyes.
Megan Rooney at MOCA
by Emily LaBarge
But something is really wrong. The mural is alive, but it won’t always be.
Kathryn Bemrose’s Birdland
by Steve Rockwell
The birds in the Bemrose exhibition flit in and out of camouflage, challenging the eye, at times, to separate plumage from foliage. It’s an unbridled dance between the figure and its descent into the oblivion of abstraction.
Travis Shilling at Ingram Gallery
by Olivia Musselwhite
These realistic, yet otherworldly scenes, bring the opportunity of furthering our conversation on extremely relevant topics in Canada.
RAW at Gardiner Museum
by Simon Termine
The evolving quality of the exhibition encourages multiple visits to see how the pieces progress over time. Ultimately, it is more so the development of the clay than the final product that evokes curiosity and engagement.
Drawing Unlimited at Propeller
by Hugh Alcock
The exhibition has been masterfully hung to juxtapose the drawings in a stimulating and thought-provoking manner
Five Questions with BOBBIE BURGERS
by Nicholas Metivier Gallery
I have always tried to be a pleaser and these new works show the different complexities of my personality, my darker and more rebellious side as well as my vulnerability and happiness