by Olivia Musselwhite
Basualdo creates a fictional world so the viewer can contemplate their lives and bodies. He creates a space for a humbling experience, forcing one to acknowledge their own limitations.
Eduardo Basualdo at Scrap Metal
Sarah Sze: Images in Debris at MOCA
Emese Krunák-Hajagos
Sze’s “sculptures” are very complicated structures, that vibrate with projected images and light that fills them with life, making them a living thing that breathes and moves.
CONTACT Photography Festival 2020
Scotiabank CONTACT Photography Festival 2020
presents online profiles on artists and artworks, conversations, video screenings, photobooks and readings to activate the exhibitions originally planned for the citywide Festival
Charles Bierk at Nicholas Metivier Gallery
by Maya Burns
For the first time, alongside his signature portraits, the show contains multi-paneled paintings of objects
New Members & Spirit of Spring
Canadian Sculpture Centre
The two new members, Tom Ashbourne and Britt-Marie Lindgren show their works accompanied by a group show of eight members, celebrating Spring.
Rae Johnson at Christopher Cutts
by Hugh Alcock
It is the tension between the physical and the psychological that makes her work gripping. Hers is a powerful unique voice, wonderfully showcased by Christopher Cutts’ judicious selection.
How COVID-19 is Impacting the Art Galleries in Toronto
by Phil Anderson
The impact is felt by many art galleries as people can’t visit and sales for art would be difficult as the whole economy is now in taters.
Eli Langer at Clint Roenisch
by Mikael Sandblom
We’re missing a lot by not seeing this show in person because the work involves the material, and craft of painting. It’s the kind of work you want to get up close to.
Sadko Hadzihasanovic at Paul Petro
by Kexin Wu
the exhibition showcases a selection of work that exposes and surveys the social engagements of children in weaponized violence.
Oscar Figueroa’s BLUE at Robert Kananaj Gallery
by Maya Burns
We continue the creative process in our experience of the blue by generating our own meaning and our own attachments.