by Colin Phillips & Emese Krunák-Hajagos
in a world where nature and trees themselves seem in peril, it is good that artists such as Alcock remind us of the precious beauty that we often take for granted
by Phil Anderson, Georgia Gardner & Olivia Mariko Hsuen-Ferris
it was all fun, an enjoyable walk around and as a collective experience sharing knowledge through the power of art: it worked
by Julie McNeill, Dylan MacHattie & Sara Rependa
For one sleepless night, from sunset to sunrise, the familiar is discarded and Toronto is transformed into an artistic playground
by Phil Anderson
when people participate in cultural events, they feel more connected to their neighbours, their communities and their city
October 1, 7pm – October 2, 7am
Expanding to include exhibitions in Etobicoke and North York, in addition to downtown and Scarborough, the long-awaited event features more than 150 artworks
by Emese Krunák-Hajagos
All these beautifully made, staged photographs are focused on the search for water in African countries.
by Olivia Mariko Hsuen-Ferris
The corporate gaze is real and very present in the media we consume, the media we create, and even within our senses of self. Other Sister isn’t real… or is it? Maybe it’s both. Does it matter? Does anything matter anymore?
by Hugh Alcock
Insofar as the artists in this show are primarily concerned with the ideas, there is a sense in which aesthetic choices they make in the visual presentation of their works are incidental
by Georgia Gardner
In her depiction of birds, she connects people by sharing anxieties and hopes for freedom.
by Emese Krunák-Hajagos
The Sculptors Society of Canada presents Emerging Sculptors 2022, a juried show with seven artists
by Steve Rockwell
If Matheson speaks to the individual and their private journey of discovery, then Ooi addresses society in a holistic sense. Nevertheless, both artists in their own way arrive at a cosmology.
