by Keren Sedmina
His interdisciplinary method as a visual artist continues to shape our perception of human biological life and death cycles through the medium of performative drawings and representations of medical models.
January 16, 2020 / Gallery 1313
by Phil Anderson
Money raised will help the Gallery continue to offer visitors the best in contemporary art programming.
by Kexin Wu
This year’s show continues the tradition of excellence of the longstanding KUDOS series while also displays some light sculptures as part of the Festival of Light
by Victoria Rainoff
I wanted to see Street Art internationally. Toronto is a perfect city for that, renowned for its Street Art. I think my artworks were well placed here.
by Keren Sedmina
In his paintings Yaluff captures the objects and emotionally compels the spaces and places that have shaped his identity and consciousness.
by Chelsea Rozansky
Steeped in HEARTH’s inception are questions about private property, ownership and community. It is a space for those who can’t rely on existing institutional structures to provide a home for their artwork
by Chelsea Rozansky
So what does it mean if you’ve seen paradise and it tasted so good, but you knew it’s a promise about to break, already lost?
December 12, 2019
by Kexin Wu and Xiaotong Cao
This year’s event was among the most successfull
by Olivia Musselwhite
The pastoral quality of Hutchinson’s paintings brings repose to the mind with shimmering scenes that could disappear at a next glance.
by Mikael Sandblom
Alcock see trees as “emblematic of the natural world, that is, the world independent of us and our narrow interests and preoccupations.”
