by Patricia Tabascio
At Home With Monsters challenges the exhibition-goer’s expectation of viewing art that is horrifying, unsettling and that is highly personal to Del Toro and his work, while also questioning the very idea of monsters.
by Meghan O’Callaghan
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
by Simon Termine
The exhibition is an elaborate, multi-faceted delve into the entrenched divisions and cultural constraints affecting the lives of Chinese Canadians.
by Emily Austin
Felt, like stone, has a utilitarian aesthetic based on the way it was produced. The material, sensorial and psychological elements present throughout the exhibition are beautifully and intelligently consolidated.
by Victoria De Chellis
Both artists’ works are representative of the natural world, and the ever-changing environment and ecological factors influencing today’s climate
by Phil Anderson
September, 23-24, 2017
It wasn’t always about sales, but it seemed more about the process of sharing their work with an interested public, that was to be even more important.
by Victoria Rainoff
Cesar Forero created and underwater world for us, guided us into it with his performance and then left us there to play
by Meghan O’Callaghan
This location gives the flexibility to show large and intimate exhibitions, as well as better integrate moving image works. More is most certainly more at the new Stephen Bulger Gallery.
Opening Reception: September 14, 2017 / 6:30
ICELAND seemed to come to Gallery 1313 as artist Rey Saem exhibited his works. Shawn Postoff and Jane Theodore had their receptions as well with plenty of enthusiastic visitors.
by David Saric
Birch Contemporary’s latest exhibition sees Steven Beckly, Martin Bennett and Sarah Sands Phillips conceptually re-imagining the potential of their media.
by Emese Krunák-Hajagos
the art works in the exhibition are raising questions as to whether there truly is some sort of collective, cultural consciousness or aesthetic tradition
