December 12, 2019 / 6:30 pm
Propeller’s annual fundraising event in support of its ongoing commitment to innovative exhibitions and programming.
On the Wall / Off the Wall @ Propeller
Age of You / MOCA
by Hugh Alcock
It is provocative, intelligently thought out and brimming with great art. MOCA has provided a grand exhibition to reflect on all the disruptive changes our society is experiencing.
Stephen Appleby-Barr at Nicholas Metivier Gallery
by Rachel Williams
The exhibition is a glimpse into what the world could look like with a touch of fantasy. Seen through the artist’s looking glass, these pieces reflect worlds made of fire, worlds made of snow and clouds.
Photorama 2019 / TPW
by Xiaotong Cao
Photorama offers arts enthusiasts—both seasoned collectors and first-time buyers—a great opportunity to purchase affordable lens-based artworks by exceptional artists.
BMO 1st Art Competition
by Phil Anderson
The evening went well and one can only hope that these events recognizing artists can continue and grow to help nourish young artists.
Weather Amnesia at Jackman Humanities Institute
by Olivia Musselwhite
Reality is changing and this exhibit pushes the viewer to face the issue of the declining environment, which has been so easily ignored.
Birch Contemporary: 1989 – 2019
by Steve Rockwell
Robert Birch has been celebrating thirty years of operating an art gallery this year.
Rajni Perera’s Traveler at Patel Division Projects
by Olivia Musselwhite
Perera’s striking travelers are a beautiful sight, both of this world while simultaneously otherworldly, clad in armor and equipped with defensive weapons to face the threats of the present, and of those unforetold in the future.
Interview with Mia Nielsen / Art Toronto
by Phil Anderson
I have so many concepts in development to grow the fair; you’ll just have to come back next year to see those plans start to unfold.
Interview with Jane Corkin of Corkin Gallery
by Simon Termine
We are a bridge between ideas and creativity and the people who can support those ideas economically. It is our job to make sure the interchange can continue because, in the end, it would be a sad society without art.