by Simon Termine
In our increasingly social world flourished through technology, The Anxious Body is an intricate group exhibition striving to the influence of social media and current socio-political paradigms on contemporary visual art.
by Alexis Moline
June Callwood (Canada’s revered writer and activist) had encouraged me to write down my family’s story – but I felt I had to do the “visuals” first…. as I am a “visual artist”
by Steve Rockwell
My own familiarity with LA art scene begins to thin out somewhat in the middle of the 2010 decade. So much has happened in Los Angeles since. What I managed to glean was merely a core sample of a vital, if not explosively dynamic arts community.
October 27 – 30, 2017
by Steve Rockwell, Emese Krunák-Hajagos & Carolyn Peralta
walking the fair is an almost overwhelming experience with so many artwork and interesting programming
by Patricia Tabascio
At Home With Monsters challenges the exhibition-goer’s expectation of viewing art that is horrifying, unsettling and that is highly personal to Del Toro and his work, while also questioning the very idea of monsters.
by Meghan O’Callaghan
As Phil Irish’s exhibition Peak Velocity winds down in anticipation for the solo show of fellow Ontarian artist, Pedie Wolfond, I had the pleasure of visiting the Lonsdale Gallery in that liminal gallery time when exhibitions are coming and going.
by Simon Termine
The exhibition is an elaborate, multi-faceted delve into the entrenched divisions and cultural constraints affecting the lives of Chinese Canadians.
by Emily Austin
Felt, like stone, has a utilitarian aesthetic based on the way it was produced. The material, sensorial and psychological elements present throughout the exhibition are beautifully and intelligently consolidated.
by Victoria De Chellis
Both artists’ works are representative of the natural world, and the ever-changing environment and ecological factors influencing today’s climate
by Victoria Rainoff
Cesar Forero created and underwater world for us, guided us into it with his performance and then left us there to play
by Meghan O’Callaghan
This location gives the flexibility to show large and intimate exhibitions, as well as better integrate moving image works. More is most certainly more at the new Stephen Bulger Gallery.
by David Saric
Birch Contemporary’s latest exhibition sees Steven Beckly, Martin Bennett and Sarah Sands Phillips conceptually re-imagining the potential of their media.
