by Meghan O’Callaghan
Our presence here in this landscape is temporary in comparison to the power and magnitude of our natural world. Our reverence is rightfully demanded and deserved in Pratt’s exhibition.
by Emily Newell
The dramatic meaning of the photographs are juxtaposed with the way of the dancers’ performance, with their peacefully and elegantly intertwining bodies.
by Alice Pelot
Ko expresses frustration with our approaching doom as it is not an external force, it is one of natural asphyxiation by pollution, one that could be stopped, but that will never be taken seriously in the face of other potential apocalypses.
by Sunny Kim
The two exhibitions exist in the gallery as a harmonious pairing – Neubauer’s minimal palette is effectively juxtaposed with the inundation of colours in Larsen’s work.
by Alice Pelot
Bailey’s interface is an opportunity to actively belong to an existential, digital blanket.
by Emily Newell
Roy’s work is unique and can be easily distinguished by its raw style that has a combination of masculine and feminine traits. They are all pregnant with beauty.
by Ella Gorevalov
He paints large-scale animal hybrid murals that splash onto concrete and brick throughout back alley pockets, making use of angles and drop shadows to illustrate the absurdity of impossible creatures
by Alice Pelot
the art works represent the tangible, real, life-giving organs and actions of others in an incredible array of materials and interpretations
by Alice Pelot
While there are impressive art pieces worth travelling to see at Angell Gallery’s twentieth anniversary exhibition, it is the context of all these works together, producing a portrait of Angell as a collector, that is most thrilling.
by Phil Anderson
Chantal Pontbriand’s vision will come to life in May, 2017 and Toronto will have a new international museum and nexus space for exchange and networking.
by Rhiann Moore
From animals, to figures, to more abstract works Hummel clearly puts his all into each one of his works big or small.
by Simon Termine
His work is encouraging us to examine the developmental quality of the mundane objects abundant within our generation, something which we cannot alienate ourselves from since it has become so definitive.
