by Catherine MacArthur Falls
Rockwell has thus managed to capture a network of complex meaning within a latticework of simple visual symbols. And through a web of art historical references, has managed to create something novel, enduring, and even fun.
by Katie Armstrong
Morris constitutes only half of The Map and the Territory, with his images serving as a kind of “territory,” while Ron Wild assembles them into a kind of “map.”
by Rhiann Moore
Each creation at Kudos II stood out in their own unique way and a must-see for anyone interested in contemporary sculpture.
by Sunny Kim
people crowded Gallery 1313 to see Emerging Young Artist‘s new show, 2116: Art of Leverage – a show highlighting young artists who are beginning their artistic careers
by Simon Termine
This interview took place on the occasion of Erin Loree’s first solo show at Angell Gallery, titled Midnight Bloom.
by David Saric
The viewer is encouraged to contemplate the various narratives presented throughout the gallery, as the diverse physiognomies offer a wealth of potential psychological states and perspectives.
by Rhiann Moore
He spoke about the connection between outsiders and printmaking, as each needs to be treated with a certain delicacy; the outsider must be approached as lightly as the drypoint in order to be properly comprehended.
by Katie Lawson
each image demands that the viewer recognize the simplistic beauty which surrounds us in our everyday lives, true or invented.
by Emese Krunák-Hajagos
This exhibition is meant to be a departure from performance art by removing the installation and sculpture from their original video screens and putting them in the gallery so they can stand by themselves, for themselves.
by Catherine MacArthur Falls
Sexish is a thought-provoking and nuanced exhibition, one that stands as a welcome interjection into a conversation that is as necessary today as it was 50 years ago. I suggest you join in.
by Rhiann Moore
the attendee’s who purchased tickets wait for their number to be drawn and when it is – they have sixty seconds to chose the piece of art off the wall they want to take home with them
by Vanessa Zeoli
The body of work calls for the spectators to be conscious of the time-flux relationship which exists around and even within us all.
