by Haafiz Karim
I met Jesus Mora in his small studio tucked away behind a music instrument store. The small space was brimming with artwork that immediately caught my eye, canvas upon canvas of earthly tones and brilliant textural detail.
by Kathleen Reichelt
a two part event created by Toronto based media and performance artist Istvan Kantor who brought the internationally renowned group Non Grata from Estonia via New York to perform in Toronto.
by John Bentley Mays
He conjures with his memories, making symbolic pictures intended to invoke what he has glimpsed–not the literal appearance of it, of course, but rather its sensuous impact on his mind and soul.
by Marie van Zeyl
The gallery is large, with polished concrete stretching out under high ceilings of exposed metal. It’s industrial-sized, minimalist aesthetic is ideal for large-scale abstract works.
by Salomeh Ahmadi
I feel a theme building based on where I am shooting that day. This motivates me to spend more time at a site and to explore several concepts that are always present in my photographs: Light, Texture, Fluidity, Shape and the exploration of Free Flowing photography.
by Steve Rockwell and Salomeh Ahmadi
It is true that this city has been undergoing an unprecedented building boom in the last several years, certainly in the condo market and it brings new collectors into the art market too.
by Kelli Jerome
September 11 – October 13, 2012
AKASHA ART PROJECT
He has captured both rock and roll and religion with the same honest, caught-in-the-moment, grittiness.
by Sarah Sands Phillips
GALLERY 1313 Process Gallery
September 19 – October 14, 2012
These are scenes that echo the cacophony of street noise, barking dogs and the moans of naked, despondent and mutilated women.
by Seowon Bang
Sept 29, 2012
Our focus is always on visual art, free, all night. We invite curators to pitch proposals and themes, and actively commission programs. The life sign is good.
by Emese Krunák-Hajagos
“I filter my process through photography and our relationship to images of ourselves in mass media. One of the by-products of this long process has been a progression towards “realism” but the motivation itself is not realism.
by Phil Anderson
I have an unusual way of painting. I mix a number of oil paint colours on a palette and carefully place the paint in a small plastic bag at the corner, then I cut a small tip off the corner to squeeze the multi-coloured paint out.
by Phil Anderson
“I have recently been looking at life as this both everything and nothing experience. The existential belief that everything is the same was my departure point.”
