by Olivia Mariko Hsuen-Ferris
The corporate gaze is real and very present in the media we consume, the media we create, and even within our senses of self. Other Sister isn’t real… or is it? Maybe it’s both. Does it matter? Does anything matter anymore?
by Hugh Alcock
Insofar as the artists in this show are primarily concerned with the ideas, there is a sense in which aesthetic choices they make in the visual presentation of their works are incidental
by Georgia Gardner
In her depiction of birds, she connects people by sharing anxieties and hopes for freedom.
by Emese Krunák-Hajagos
The Sculptors Society of Canada presents Emerging Sculptors 2022, a juried show with seven artists
by Steve Rockwell
If Matheson speaks to the individual and their private journey of discovery, then Ooi addresses society in a holistic sense. Nevertheless, both artists in their own way arrive at a cosmology.
by Steve Rockwell
Women of Allah became a turning point for Neshat. It began her journey from an overtly political or religious art to the mythic and allegorical.
by Georgia Gardner
This exhibition focuses on the autonomy of the land and voices the urgency of our accountability. The land remembers and it speaks thoughtfully.
by Lily Scriven
Both artists understand their power as documenters, and storytellers; in doing so they comment on the stories we tell ourselves every day, as we go about our city lives
by Vivian Sun
By deconstructing the familiar elements in the ecosystem, the artwork is asking us to reconsider our actions towards nature, leave our ignorance behind and have an honest look into the future.
by Phil Anderson
Edward Burtynsky brings an important message to us about environmental concerns through his photography
by Georgia Gardner
Her paintings are set in two places she has lived extensively in – Toronto, Canada and Palermo, Sicily.
