Catherine MacArthur Falls

Histories of Art at Daniel Faria Gallery

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by Catherine MacArthur Falls

Each of the four artists engages deeply and subtly with art historical conversations: they confront injustices, point out erasures, and probe entire modes of seeing.

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Steve Rockwell’s Colour Match Game at Christopher Cutts

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by Catherine MacArthur Falls

Rockwell has thus managed to capture a network of complex meaning within a latticework of simple visual symbols. And through a web of art historical references, has managed to create something novel, enduring, and even fun.

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Sexish at Birch Contemporary

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by Catherine MacArthur Falls

Sexish is a thought-provoking and nuanced exhibition, one that stands as a welcome interjection into a conversation that is as necessary today as it was 50 years ago. I suggest you join in.

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RECALL / Walnut Contemporary

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by Catherine MacArthur Falls

It is an ambitious and poignant exhibition — one that not only addresses a difficult subject in an appropriately complex way, but that is also meaningfully site-specific

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Kristopher Karklin at Barbara Edwards Contemporary

Kristopher Karklin, Backyard (Daytime), 2014


by Catherine MacArthur Falls

His newest series strikes with uncanny accuracy not only at the northern Alberta landscape by which it was inspired, but also at many of the confining and alienating elements of contemporary rural and suburban life.

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Bezpala Brown Gallery re-opens

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Catherine MacArthur Falls

Director Lyudmila Bezpala-Brown described the gallery's forward-looking vision, which will focus on art that relates in some way to the notion of wellness, be it mental, physical or ecological.

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France Jodoin: Time and its Reflection at Thompson Landry

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by Catherine MacArthur Falls

The works are, ultimately, elegant and engrossing. Jodoin achieves her objective of stillness and the eye cannot look away.

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William Kentridge at Barbara Edwards Contemporary

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Catherine MacArthur Falls

whether Kentridge speaks of the memory of a nation or of an individual, in the end, the power of the project may lie in its partiality, in its bittersweet admonition that nothing can ever be truly captured or remembered as a whole

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Feature After the Fact: Feature Contemporary Art Fair 2015

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Catherine MacArthur Falls

Feature's smaller scale, its individualization of gallery space, its tour guides and gallery reps wiling to explain intricacies of material or content, allowed this type of quieter work to stand out.

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Joseph Hartman: Artist Studios / Stephen Bulger Gallery

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by Catherine MacArthur Falls

Joseph Hartman has created a beautiful and technically masterful series of photographs, one that not only reminds us of our near-obsession with artists and their creative processes, but that also raises questions, as all interesting art does

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Parabolic: Toronto Exhibition of Pop Surrealism at Red Head

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by Catherine MacArthur Falls

These works are between the abstract and the concrete. Indeed, as a whole, the show consistently balances razor sharp precision with something much more vague, fey and ethereal.

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Volumes – Summer Launch Party @ Hart House

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Catherine MacArthur Falls

According to the project's contributors and supporters, it was this outsider status of music that the ten-year project hoped to correct, or at least initiate dialogue on. The published work proved that such a dialogue is possible, even welcome.

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