by Saba Askary
Her work is quiet but powerful, subtle but It speaks to audiences of the long past, the immediate present and the future
by Saba Askary
Her work is quiet but powerful, subtle but It speaks to audiences of the long past, the immediate present and the future
by Kelli Jerome
Each image possesses a conscientiousness that is haunting in its realism while at the same time surreal in its beauty.
by Emese Krunák-Hajagos
something went wrong and violence is apparent. They sit anonymously in this wasteland, two losers on the periphery of society.
by Emese Krunák-Hajagos
THE RED HEAD GALLERY
Departure means leaving but Colin Carney’s work gives me the feeling of arriving as well
by Ashley Johnson
De Luca Fine Art | Gallery
For this exhibit we remain in floating position, elevated from suburban ennui and the grit of industry.
by Ryan G. Hinds
Matti's work taught me that I can rely on myself a little bit more for confidence, and the soft and beautiful side of my persona that came out was a lovely surprise.
by Haafiz Karim
Wonderfully created and delivered they evoked strong emotions through their colour association and - what I found interesting - their names.
by Sarah Sands Phillips
One cat after the next, distorted and psychedelic, somehow both crossed-eyed and menacing, watch you watch them
by Emese Krunák-Hajagos
There is a dreamlike quality to her images. Standing in front of Cover II., I feel a certain discomfort and quietness at the same time.
by Salomeh Ahmadi
the five women standing were known as "soldaderas" in the early 1900's during the Mexican Revolution. At the time, women held little rights to what they were able to do
