by Steve Rockwell & Lex Barrie
Art Toronto 2022 has provided significantly more space between booth aisles, with added seating for lounging, making attendance less hurried, relaxed, and in that, more pleasurable.
Art Toronto 2022
Author: artoronto
Interview with Mongiat and Sylvestre about Collective City
by Phil Anderson
We’ll continue making films, have free showings and donate them to whomever can use them. There is an endless list of past and present day collective to record!
Art Toronto 2022
METRO TORONTO CONVENTION CENTRE
October 27 – 30, 2022
Canada’s art fair, featuring 90+ galleries from across Canada, the US and abroad
Thomas Demand’s House of Card at MOCA
by Steve Rockwell
Demand has demonstrated in numerous past works, “folly” arrives in three dimensions, and who is to account for what happens inside the things we build?
Three Women Painters @ Gallery 1313
by Colin Phillips
Figurative, abstract or landscape, each approach these women bring to painting allows the visitor a satisfying and wonderful gallery experience.
The Washi Sisters at Propeller Art Gallery
by Lex Barrie
Coming together, Propeller Art Gallery has provided a space to allow everyone to experience the true journey of these six artists and the truly magnificent medium that is Washi.
Hugh Alcock: Amongst the Trees at Gallery 1313
by Colin Phillips & Emese Krunák-Hajagos
in a world where nature and trees themselves seem in peril, it is good that artists such as Alcock remind us of the precious beauty that we often take for granted
Walking Nuit Blanche 2022
by Phil Anderson, Georgia Gardner & Olivia Mariko Hsuen-Ferris
it was all fun, an enjoyable walk around and as a collective experience sharing knowledge through the power of art: it worked
Nuit Blanche Toronto 2022
by Julie McNeill, Dylan MacHattie & Sara Rependa
For one sleepless night, from sunset to sunrise, the familiar is discarded and Toronto is transformed into an artistic playground
Interview with Jeanne Holmes and Pat Tobin about Nuit Blanche
by Phil Anderson
when people participate in cultural events, they feel more connected to their neighbours, their communities and their city
Aïda Muluneh: Water life at the Textile Museum
by Emese Krunák-Hajagos
All these beautifully made, staged photographs are focused on the search for water in African countries.
Jen Mann: Other Sister at Arsenal Contemporary
by Olivia Mariko Hsuen-Ferris
The corporate gaze is real and very present in the media we consume, the media we create, and even within our senses of self. Other Sister isn’t real… or is it? Maybe it’s both. Does it matter? Does anything matter anymore?