The images are disturbing, lingering in some limbo between life and death, persuading the viewer to think about the fate of these animals and our role in it.
“I filter my process through photography and our relationship to images of ourselves in mass media. One of the by-products of this long process has been a progression towards “realism” but the motivation itself is not realism.
Invitation to whom it may concern: If you are in any way witnessing remoteness in any level, personal, or social, or simply art loving, or an artist, we have Robert Kananaj Gallery hosting and sharing the outsider in all of us.