Geoffrey Farmer
The Art Gallery of Ontario (AGO) and the Gershon Iskowitz Foundation are pleased to announce that Vancouver-born artist Geoffrey Farmer is the recipient of the 2013 Gershon Iskowitz Prize at the AGO. The award, which is presented annually to one artist who has made an outstanding contribution to the visual arts in Canada, includes a $50,000 cash prize and a solo exhibition at the AGO. Farmer’s exhibition will open in February 2014.
Borrowing elements from conceptual and installation art, Farmer’s works boldly combine sculpture, video, performance, drawing, photography and found objects. Internationally recognized for his singular approach and ability to blend poetry and social commentary in large-scale works, Farmer has received praise for his recent exhibition The Surgeon and the Philosopher at London’s Barbican Art Gallery from the Guardian for its “compelling vision.”
“Geoffrey Farmer’s works are unique because they are constructed anew each time they’re assembled,” said Kitty Scott, curator of modern and contemporary art at the AGO. “In this sense, the display at the AGO will offer visitors a chance to see the most recent workings of Geoffrey’s mind. We’re delighted to collaborate with the Gershon Iskowitz Foundation in presenting this prize to him.”
Born in British Columbia in 1967, Farmer lives and works in Vancouver. A graduate of the Emily Carr Institute of Art And Design in Vancouver, he first exhibited at the AGO in 2000. The Gallery purchased a significant work by Farmer in 2012 entitled And Finally the Street Becomes the Main Character (Clock).
“I’m deeply touched to receive this prize,” said Farmer. “Gershon Iskowitz has set an example through his generosity of spirit—a legacy that asks artists to support and help each other. I’m truly honoured.”
“One of the most important aspects of the Iskowitz Prize over time has been that it is grounded in one artist’s wish to help other artists,” said Jeanette Hlinka, president of the Gershon Iskowitz Foundation. “Gershon would be very happy that this idea is still central to the Prize, and that the artists who receive it—like Geoffrey Farmer—recognize this.”