Through aestheticizing the bodies, their movements and the background, it becomes clear to the audience that this is not a real footage but a reiteration of history.
In The Distance of the Moon, Tooth makes a strident efforts to prolong the images beyond the impermanence of memories and transform them into personal histories.
Delving deep into the emotional and psychological consequences of exile, Perunovich’s exhibition bears witness to the lost, retelling essential stories in order to give them the recognition they deserve.
A time and a place is presented, revealing how the AIDS epidemic produced a vast body of art and humanity and new ways to communicate that are still not entirely understood.
Plotek’s paintings are not immediately comprehensible but the pleasures offered by his refined visual language instill a desire in the viewer to return to them again and again.
Nasty at Daniel Faria Gallery showcases a captivating assemblage of works in different media that presents the viewer with defacement, inaccessibility and interference patterns.