by Andriy Bilenkyy
A Fine Line makes death acceptable and even fashionable in an aesthetically pleasing, technically sophisticated, and meta-artistically rich way.
Spring Hurlbut: A Fine Line at Georgia Scherman Projects
Category: FEATURES
Mark Stebbins: Among the Jaggies, Aong the Seams at Wil Kucey Gallery
by Nika Teper
Mark Stebbins’ artwork evokes intrigue in it’s material plasticity, subject amalgamation and small scale.
Howard Lonn: Khrome at Birch Contemporary
by Jordan Fee
In these paintings, Lonn evades the purely abstract and places an emphasis on the notion of meaning making. The paintings in Khrome seem to suggest a possible truth; however, it is the viewer that is given the choice to decide just what this truth might be.
Paul Brandejs: 49 Years Later at Gallery 1313
by Carter Brown
The scenes portrayed are both in natural and city environments mainly in the Czech Republic, the artist’s birthplace, where he visited for the first time this year since immigrating with his family 49 years earlier.
Ydessa Hendeles: Death to Pigs at Barbara Edwards Contemporary
by Simon Termine
Hendeles not only offers a glimpse into the complex development of the “pig” in human civilization; she exposes much of the controversial, characteristically “vulgar” underbelly of the human condition, or rather the potential it has to descend to the begotten level.
Yonder at Koffler Gallery
by Alice Pelot
Every artist in the exhibition expresses vulnerability about widely felt anxiety, each filled with pain or humor and each worth engaging with.
Osheen Harruthoonyan & Katherine Tzu-Lan Mann at Lonsdale Gallery
by Elizaveta Mironova
Harruthoonyan’s show takes us to a world of dream, surrounded by the cosmos, relaxing the mind. Then upstairs Mann’s exhibition greets the viewer with a world of ecstatic colors that energizes and activates the imagination. The two exhibitions greatly complement each other.
Sara Angelucci: Arboretum at Stephen Bulger Gallery
by Katerina Bong
Most pieces in Arboretum challenges the traditional notion of man taming nature, instead nature dominates the composition of the photographic pieces
John Massey: Black on White at Diaz Contemporary
by Jordan Fee
The chaotic, and sometimes hypnotic nature of these prints draws us in and locks us into a constant battle for understanding, from which escape can be difficult.
Rock About at the Canadian Sculpture Centre
by Katerina Bong
The sculptors in this exhibition are not mere artists, they are inventors who use insignificant and static stones to give them new meaning.
FOCUS: LATIN AMERICA
by Marina Dumont
It will delight art lovers looking to expand their horizons and give art collectors the chance to add stunning contemporary Latin American works to their collections. It is a not-to-be missed event!
P. Roch Smith & Jane LowBeer at loop
by Nika Teper
While Smith physically manipulates the subjects of his work to speak about memory and play, LowBeer creates composite impressions of Ontario’s multifaceted landscapes